LUTs in Davinci Resolve: Get way better results. Tetrahedral Interpolation vs Trilinear Interpolation.
Hope you all are overflowing with ideas and beaming with imagination. This week we will guide you on how to apply a LUT appropriately using Da Vinci Resolve software so that you don’t lose your artistic expression for technical accuracy.
Ultimate way make any 8-bit footage look like film (FilmForever)
Here’s a quick way to make your 8-bit footage look like Film. This one is simple to use, quick and produces good results with widespread jobs. And yes, it works with non-studio resolve versions as well.
Ultimate guide to 2383 Kodak LUT in DaVinci Resolve
There’s a free film LUT in Davinci Resolve, here’s how to use it.
Kodak 2383 Print Film LUT: A beginners guide to the world of Kodak 2383 Print Film LUTs.
How do I download Kodak 2383 print film LUT? This article will explain how you can download it and use it.
Creating “No Time to Die” color grading LUT a year before the film. Here’s how it stands out today.
We produced a LUT last year that was inspired by the No time to die trailer, and it was rather popular. Let’s see how it stands in 2021.
The Complete Guide to the Layer Mixer & Parallel Node in Resolve
Layer Mixer Node and Parallel Node are critical to understanding the node graph in Resolve, and understanding them is important. In contrast to Serial Nodes, both the Layer Mixer and the Parallel Mixer allow for many inputs to be used simultaneously.
What is halation? Why is it freaking important?
One of the most crucial aspects of a true film look is halation. Halation is an analog imperfection. A result of trying to shoot with film as a medium.
Ultimate hack for getting Super 8MM film look out of digital footages
While you can achieve a lot of film looks using LUTs and traditional presets, we at colorist factory have been digging deeper into the looks offered under our Power Curves Project
How we recreated The Batman 2020 Trailer Color Grade using a free LUT
As the new trailer for the new Batman 2020 is creating a fresh wave of buzz, we’ve been receiving a ton of enquiries for a tutorial on recreating a similar grade inside Premiere Pro.
Cinematic Monochrome Color Grade using free Film Emulation LUT [Download]
On trying to break down a popular Monochrome look from the film “Inside Llewyn Davis”, we understand that Peter Doyle, colorist of the film used advanced techniques and a LUT to achieve this look.
